|
ID
|
BIDEOA
|
HIZLARIA
|
BILDUMA
|
HIZKUNTZA
|
DATA
|
| UCLMxUM | | Liga Debate G9 - 2025 | Español | 2025-04-03 |
| UZxUO | | Liga Debate G9 - 2025 | Español | 2025-04-03 |
| UIBxUEX | | Liga Debate G9 - 2025 | Español | 2025-04-03 |
| EHUxUR | | Liga Debate G9 - 2025 | Español | 2025-04-03 |
| UCLMxUEX | | Liga Debate G9 - 2025 | Español | 2025-04-03 |
| UOxUIB | | Liga Debate G9 - 2025 | Español | 2025-04-03 |
| URxUZ | | Liga Debate G9 - 2025 | Español | 2025-04-03 |
| EHUxUC | | Liga Debate G9 - 2025 | Español | 2025-04-03 |
| Clossing of the Symposium | David Rio | IV International Symposium Cultural Transfers of the American West | Español | 2025-10-06 |
| Round Table II: El Oeste Americano y la música española: el caso de Dinamita pa´ los Pollos en los años 90 | Roberto Mata, Javier Zaitegui, Soraya Alonso, Ángel Chaparro | IV International Symposium Cultural Transfers of the American West | Español | 2025-10-06 |
| Plenary Lecture IV: Stagecoach, de John Ford: Referente del Western. Relaciones con literatura y pintura | Kepa Sojo | IV International Symposium Cultural Transfers of the American West | Inglés | 2025-10-06 |
| Towards a Gothic West: How the American Frontier Became a Gothic Space | Naiara Berganzo | IV International Symposium Cultural Transfers of the American West | Inglés | 2025-10-06 |
| La representación del Oeste en el cómic de prensa británico | Francisco Sáez de Adana | IV International Symposium Cultural Transfers of the American West | Inglés | 2025-10-06 |
| The Rawest Faces of the Western Frontier in American Primeval | Aitor Ibarrola | IV International Symposium Cultural Transfers of the American West | Inglés | 2025-10-06 |
| The Polish Western According to Maciej Bochniak | Marek Paryz | IV International Symposium Cultural Transfers of the American West | Inglés | 2025-10-06 |
| Plenary lecture III: Political Subtext and Archetypical Characters in 20th Century American Western Films | John D. Sanderson | IV International Symposium Cultural Transfers of the American West | Inglés | 2025-10-06 |
| Panel IV - Questions | | IV International Symposium Cultural Transfers of the American West | Inglés | 2025-10-06 |
| Redefining the Enemy: Islamophobia, the Western Villain, and the Post-9/11 American Mythos | Mikel Barea | IV International Symposium Cultural Transfers of the American West | Inglés | 2025-10-06 |
| From El Paso to Los Angeles: Eddie Diaz’s Story of Restorative Paternity in 9-1-1 | Tamara Rojo | IV International Symposium Cultural Transfers of the American West | Inglés | 2025-10-06 |
| Deconstrucing the Hegemonic West: A Subversive Analysis of Cormac McCarthy’s Blood Meridian and Larry McMurtry’s Lonesome Dove | Adrián Arana | IV International Symposium Cultural Transfers of the American West | Inglés | 2025-10-06 |
| A story of the West, after all?’: Rastreando las huellas del Oeste en The Great Gatsby, un siglo después | Juan Ignacio Guijarro | IV International Symposium Cultural Transfers of the American West | Inglés | 2025-10-06 |
| Plenary Lecture II: The First (and Only) Science-Fiction, Singing Cowboy, Young Adult, Vaudeville Comedy Cliffhanger Western: The Phantom Empire (1935) | David Fenimore | IV International Symposium Cultural Transfers of the American West | Inglés | 2025-10-06 |
| Plenary Lecture I: Beyond the Mississippi/ Más allá del Mississippi: Charla-coloquio sobre su obra El mapa de los afectos | Ana Merino | IV International Symposium Cultural Transfers of the American West | Inglés | 2025-10-06 |
| Panel II - Questions | | IV International Symposium Cultural Transfers of the American West | Inglés | 2025-10-06 |
| A Glance to the American West in Bruce Springsteen and The Killer’s Songs | Soraya Alonso | IV International Symposium Cultural Transfers of the American West | Inglés | 2025-10-06 |